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* stephen hawking's univers
* tiger woods * jim fur
Barack Obama, China, Hu Jintao,
Melinda Hackett, manhattan
Moshe Katsav, bbc news
new zealand miners, louise heal
Vikram Pandit, bbc news, ft
Wilma Mankiller,
9/11, september 11, emily strato
Abdel Kareem Nabil Soliman, bbc
afghanistan, bbc news, the econo
Ahmed Khalfan Ghailani, bbc news
Ai Weiwei, bbc news
aids virus, aids, * hiv
Airbus A330, suzanne gould, bbc
airline security, bbc news
airport security, bbc news, biod
al-qaeda, natalie duval, yemen,
al-qaeda, new york city, suzanne
algeria, bbc news
amanda knox, bbc news, italy mur
american airlines, natalie de va
ancient rome, bbc news
arab spring, bbc news
arizona immigration law, bbc new
arms control, bbc news
arms flow to terrorists, bbc new
Arnold Schwarzenegger, bbc news
aung song suu kyi, myanmar, bbc
australia floods, bbc news
australia, cookbooks
australian shipwreck, bbc news
baltimore shooting, bbc news
ban aid, bob geldof, bbc world s
bangladesh clashes, bbc news
bat global markets, bbc news
bbc 2, biodun iginla
bbc news
bbc news, biodun iginla, david c
bbc news, biodun iginla, south k
bbc news, biodun iginla, the eco
bbc news, google
bbc strike, biodun iginla
bbc world service, biodun iginla
bcva, bbc news
belarus, bbc news, maria ogryzlo
Ben Bernanke, federal reserve
Benazir Bhutto, sunita kureishi,
benin, tokun lawal, bbc
Benjamin Netanyahu, bbc news
berlusconi, bbc news, italy
bill clinton ,emanuel, bbc news
bill clinton, Earth day, biodun
black friday, bbc news
black-listed nations, bbc news
blackwater, Gary Jackson, suzann
blogging in china, bbc news
bradley manning, bbc news
brazil floods, bbc news
brazil, biodun iginla, bbc news,
british elections, bbc news, bio
broadband, bbc news, the economi
Bruce Beresford-Redman. Monica
BSkyB bid, bbc news
budget deficit, bbc news,
bulgaria, natalie de vallieres,
business travel, bbc news
camilla parker-bowles, bbc news
canada, bbc news, biodun iginla
carleton college, bbc news, biod
casey anthony, bbc news
catholic church sex scandal, suz
cdc, e coli, suzanne gould, bbc
charlie rangel, bbc news
chicago mayorial race, bbc news,
chile miners, bbc news
chile prison fire, bbc news
chile, enrique krause, bbc news,
china, judith stein, bbc news, u
china, xian wan, bbc news, biodu
chinese dipolomat, houston polic
chinese media, bbc news
chirac, france, bbc news
cholera in haiti, biodun iginla
christina green, bbc news
Christine Lagarde, bbc news
Christine O'Donnell, tea party
chronical of higher education, b
citibank, bbc news
climate change, un, bbc news, bi
coal mines, west virginia, bbc n
common dreams
common dreams, bbc news, biodun
commonwealth games, bbc news
condi rice, obama
condoms, suzanne gould
congo, bbc news
congress, taxes, bbc news
contagion, islam, bbc news
continental airlines, bbc news
Continental Express flight, suza
corrupt nations, bbc news
Countrywide Financial Corporatio
cross-dressing, bbc news, emily
ctheory, bbc news, annalee newit
cuba, enrique krause, bbc news,
Cuba, Raúl Castro, Michael Voss
dealbook, bbc news, nytimes
digital life, bbc news
dorit cypis, bbc news, community
dow jones, judith stein, bbc new
egypt, nasra ismail, bbc news, M
elizabeth edwards, bbc news
elizabeth smart, bbc news
embassy bombs in rome, bbc news
emily's list, bbc news
entertainment, movies, biodun ig
equador, biodun iginla, bbc news
eu summit, bbc news, russia
eu, arab democracy, bbc news
europe travel delays, bbc news
europe travel, biodun iginla, bb
europe travel, france24, bbc new
eurozone crisis, bbc news
eurozone, ireland, bbc news
fair, media, bbc news
fake deaths, bbc news
FASHION - PARIS - PHOTOGRAPHY
fbi, bbc news
fcc, neutral internel, liz rose,
Federal Reserve, interest rates,
federal workers pay freeze, bbc
fedex, racism, bbc news
feedblitz, bbc news, biodun igin
ferraro, bbc news
fifa, soccer, bbc news
financial times, bbc news
firedoglake, jane hamsher, biodu
flashing, sex crimes, bbc news
fox, cable, new york, bbc
france, labor, biodun iginla
france24, bbc news, biodun iginl
french hostages, bbc news
french muslims, natalie de valli
FT briefing, bbc news, biodun ig
g20, obama, bbc news
gabrielle giffords, bbc news
gambia, iran, bbcnews
gay-lesbian issues, emily strato
george bush, blair, bbc news
germans held in Nigeria, tokun l
germany, natalie de vallieres, b
global economy, bbc news
goldman sachs, judith stein, bbc
google news, bbc news, biodun ig
google, gianni maestro, bbc news
google, groupon, bbc news
gop, bbc news
Gov. Jan Brewer, bbc news, immig
greece bailout, bbc news, biodun
guantanamo, bbc news
gulf oil spill, suzanne gould, b
Hackers, MasterCard, Security, W
haiti aid, enrique krause, bbc n
haiti, michelle obama, bbc news
heart disease, bbc news
Heather Locklear, suzanne gould,
Henry Kissinger, emily straton,
Henry Okah, nigeria, tokun lawal
hillary clinton, bbc news
hillary clinton, cuba, enrique k
hugo chavez, bbc news
hungary, maria ogryzlo
hurricane katrina, bbc news
Ibrahim Babangida, nigeria, toku
india, susan kumar
indonesia, bbc news, obama admin
inside edition, bbc news, biodun
insider weekly, bbc news
insider-trading, bbc news
International Space Station , na
iran, latin america, bbc news
iran, lebanon, Ahmadinejad ,
iran, nuclear weapons, bbc news
iran, wikileaks, bbc news
iraq, al-qaeda, sunita kureishi,
iraq, nasras ismail, bbc news, b
ireland, bbc news, eu
islam, bbc news, biodun iginla
israeli-palestinian conflict, na
italy, eurozone crisis
ivory coast, bbc news
James MacArthur, hawaii five-O
Jamie Paulin-Ramirez, biodun igi
jane hansher, biodun iginla
japan, bbc news, the economist
jerry brown, bbc news
Jerry Brown, suzanne gould, bbc
jill clayburgh, bbc news
Jody Weis, chicago police, bbc n
John Paul Stevens, scotus,
juan williams, npr, biodun iginl
judith stein, bbc news
Justice John Paul Stevens, patri
K.P. Bath, bbc news, suzanne gou
keith olbermann, msnbc, bbc news
kelly clarkson, indonesia, smoki
kenya, bbc news, police
Khodorkovsky, bbc news
Kyrgyz, maria ogryzlo, bbc news,
le monde, bbc nerws
le monde, bbc news, biodun iginl
lebanon, nasra ismail, biodun ig
Lech Kaczynski
libya, gaddafi, bbc news,
london ftse, bbc news
los alamos fire, bbc news
los angeles, bbc news, suzanne g
los angeles, suzanne gould, bbc
LulzSec, tech news, bbc news
madoff, bbc news, suicide
marijuana, weed, bbc news, suzan
Martin Dempsey, bbc news
maryland, bbc news
media, FAIR, bbc news
media, free press, fcc, net neut
media, media matters for america
media, mediabistro, bbc news
melissa gruz, bbc news, obama ad
mexican drug cartels, enrique kr
mexican gas explosion, bbc news
mexican's execution, bbc news
Michael Skakel, emily straton, b
Michelle Obama, bbc news
michigan militia, suzanne gould,
middle-class jobs, bbc news
midwest snowstorm, bbc news
Mikhail Khodorkovsky, bbc news
minnesota public radio
moveon, bbc news, biodun iginla
msnbc, david shuster, bbc news
mumbai attacks, bbc news
myanmar, burma, bbc news
nancy pelosi, us congress, bbc n
nasra ismail, israeli-palestinia
Natalia Lavrova, olympic games,
Nathaniel Fons, child abandonmen
nato, afghanistan, bbc news
nato, pakistan, sunita kureishi,
nelson mandela, bbc news
nestor kirchner, bbc news
net neutrality, bbc news
new life-forms, bbc news
new year, 2011, bbc news
new york city, homelessness, chi
new york snowstorm, bbc news
new zealand miners, bbc news
News Corporation, bbc news
news of the world, bbc news
nick clegg, uk politics, tories
nicolas sarkozy, islam, natalie
nigeria, Goodluck Jonathan, toku
nobel peace prize
nobel peace prize, bbc news, bio
noreiga, panama, biodun iginla,
north korea, bbc news, nuclear p
npr, bbc news, gop
npr, media, bbc news
ntenyahu, obama, bbc news
nuclear proliferation, melissa g
Nuri al-Maliki, iraq, biodun igi
nytimes dealbook, bbc news
obama, bill clinton, bbc news
obama, biodun iginla, bbc news
oil spills, bbc news, the econom
olbermann, msnbc, bbc news
Omar Khadr, bbc news
Online Media, bbc news, the econ
pakistan, sunita kureishi, bbc n
paris airport, bbc news
Pedro Espada, suzanne gould, bbc
phone-hack scandal, bbc news
poland, maria ogryzlo, lech Kac
police brutality, john mckenna,
police fatalities, bbc news
Pope Benedict XVI, natalie de va
pope benedict, natalie de vallie
popular culture, us politics
portugal, bbc news
Potash Corporation, bbc news
prince charles, bbc news
prince william, katemiddleton, b
pulitzer prizes, bbc news, biodu
qantas, airline security, bbc ne
racism, religious profiling, isl
randy quaid, asylum, canada
Ratko Mladic, bbc news
Rebekah Brooks, bbc news, the ec
republicans, bbc news
richard holbrooke, bbc news
Rick Santorum , biodun iginla, b
robert gates, lapd, suzanne goul
rod Blagojevich, suzanne gould,
roger clemens, bbc news
russia, imf, bbc news, the econo
russia, maria ogrylo, Lech Kaczy
san francisco crime lab, Deborah
sandra bullock, jess james, holl
SARAH EL DEEB, bbc news, biodun
sarah palin, biodun iginla, bbc
sarkosy, bbc news
saudi arabia, indonesian maid, b
saudi arabia, nasra ismail, bbc
Schwarzenegger, bbc news, biodun
science and technology, bbc news
scott brown, tufts university, e
scotus, gays in the military
scotus, iraq war, bbc news, biod
sec, judith stein, us banks, bbc
Senate Democrats, bbc news, biod
senegal, chad, bbc news
seward deli, biodun iginla
shanghai fire, bbc news
Sidney Thomas, melissa gruz, bbc
silvio berlusconi, bbc news
single currency, bbc news, the e
snowstorm, bbc news
social security, bbc news, biodu
somali pirates, bbc news
somalia, al-shabab, biodun iginl
south korea, north korea, bbc ne
south sudan, bbc news
spain air strikes, bbc news
spain, standard and poor, bbc ne
state of the union, bbc news
steve jobs, bbc news
steven ratner, andrew cuomo, bbc
Strauss-Kahn, bbc news, biodun i
sudan, nasra ismail, bbc news, b
suicide websites, bbc news
supreme court, obama, melissa gr
sweden bomb attack, bbc news
syria, bbc news
taliban, bbc news, biodun iginla
Taoufik Ben Brik, bbc news, biod
tariq aziz, natalie de vallieres
tariq azziz, jalal talbani, bbc
tea party, us politics
tech news, bbc, biodun iginla
technology, internet, economics
thailand, xian wan, bbc news, bi
the economist, biodun iginla, bb
the economsit, bbc news, biodun
the insider, bbc news
tiger woods. augusta
timothy dolan, bbc news
Timothy Geithner, greece, eu, bi
tornadoes, mississippi, suzanne
travel, bbc news
tsa (travel security administrat
tsumami in Indonesia, bbc news,
tunisia, bbc news, biodun iginla
turkey, israel, gaza strip. biod
Turkey, the eu, natalie de valli
twincities daily planet, bbc new
twincities.com, twin cities dail
twitter, media, death threats, b
Tyler Clementi, hate crimes, bio
uk elections, gordon brown, raci
uk phone-hack, Milly Dowler
uk tuition increase, bbc news
un wire, un, bbc news, biodun ig
un, united nations, biodun iginl
unwed mothers, blacks, bbc news
upi, bbc news, iginla
us billionaires, bbc news
us economic downturn, melissa gr
us economy, us senate, us congre
us empire, bbc news, biodun igin
us housing market, bbc news
us jobs, labor, bbc news
us media, bbc news, biodun iginl
us media, media matters for amer
us midterm elections, bbc news
us midterm elections, melissa gr
us military, gay/lesbian issues
us politics, bbc news, the econo
us recession, judith stein, bbc
us stimulus, bbc news
us taxes, bbc news, the economis
us, third-world, bbc news
vatican, natalie de vallieres
venezuela, bbc news
verizon, biodun iginla, bbc news
volcanic ash, iceland, natalie d
volcanis ash, bbc news, biodun i
wal-mat, sexism, bbc news
wall street reform, obama, chris
wall street regulations, banking
warren buffett, us economic down
weather in minneapolis, bbc news
white supremacist, Richard Barre
wikileaks, bbc news, biodun igin
wvirginia coal mine, biodun igin
wvirginia mines, biodun iginal,
xian wan, china , nobel prize
xian wan, japan
yahoo News, biodun iginla, bbc n
yahoo, online media, new media,
yemen, al-qaeda, nasra ismail, b
zimbabwe, mugabe, biodun iginla


Biodun@bbcnews.com
Thursday, 27 January 2011
New Yorkers Told to Stay Home as Snowfall Cloaks City
Topic: new york snowstorm, bbc news


by Suzanne Gould and Biodun Iginla, BBC News 

A winter storm left thousands of people without power, grounded hundreds of aircraft and blanketed parts of New York in a foot of snow, leading the city to close all schools and non-essential government offices.

While the storm was forecast to begin winding down for the morning commute in National Weather Service guidance issued at 3:57 a.m. local time, New York Mayor Michael Bloombergsaid the heavy overnight falls had left it too treacherous to travel.

New York City almost never takes a snow day, but today is one of those rare days,” Bloomberg said in a statement. “People should stay at home and off the roads.”

The storm caused 1,500 flights to be canceled by yesterday afternoon, with 352 scrapped for today as of midnight, according to the FlightAware online aircraft tracking site. John F. Kennedy International Airport was closed at 12:28 a.m. local time because of snow and isn’t expected to reopen until at least 8 a.m., the Federal Aviation Administration said in an e-mail.

The Long Island Rail Road has canceled 14 westbound trains for the morning commute and will use buses east of Speonk and Ronkonkoma, according to its website.

BostonWashington

With the storm expected to leave as much as 10 inches (25 centimeters) of snow in Boston, Mayor Thomas Menino also issued declarations urging people to stay off the roads and schools are shut, the system website said. Boston has had 50 inches of snow in the past 30 days, Menino said in an e-mailed statement.

In New Jersey, Newark International Airport was closed at 11:42 p.m. yesterday and was slated to resume services at 6:59 a.m. The state’s Transit Service suspended bus routes with no estimate on when they’d be restored and said trains would suffer 30 minute delays, with some canceled and others combined. Rail passengers must use end doors to improve reliability, it said.

In Washington, buses will be initially restricted to emergency routes today, though the Metrorail subway will open at the usual time, the Washington Metropolitan Area Transit Authority said on its website.

Pepco Holdings Inc. reported at least 87,000 customers in the Maryland suburbs of Washington were without power. “The winter storm has caused extensive damage to our service territory,” according to a statement on Pepco’s website.

Richmond, Virginia-based Dominion Resources Inc. reported 143,540 customers in Virginia andNorth Carolina were without electricity as of 11:51 p.m., and in the New York metropolitan area at least 578 customers were affected as of 11:30 p.m. yesterday, according to Consolidated Edison Inc.

Heavy Falls

Several areas near New York City saw heavy snowfalls overnight, including Queens, Bergen County in New Jersey and across central Long Island, Nash said.

As of 11:30 p.m., Saddle Brook, New Jersey had reported 7.4 inches and Middle Village in Queens had measured 6 inches, according to the weather service.

Between 7 to 9 inches of snow fell from Washington to Baltimore, according to the weather service in Sterling, Virginia. About 13 inches was expected to fall in the Philadelphia area and 11 inches in Wilmington, Delaware, according to the weather service.

“We’re expecting it to start tapering off around the morning commute, around 6 or 7 in the morning,” said Lauren Nash, a weather service meteorologist in Upton, New York.

In New York, Mayor Bloomberg told reporters yesterday that the city has gone through 252,543 tons of salt, and has 109,714 tons still on hand. The mayor is founder and majority owner of Bloomberg News parent Bloomberg LP.


Posted by biginla at 12:46 PM GMT
Yemen protests: Thousands call on president to leave
Topic: yemen, al-qaeda, nasra ismail, b
An anti-government rally in Sanaa, 27 JanuaryYemen's protests are said to be inspired by the popular revolt in Tunisia

Related stories

 

by Nasra Ismail, BBC News Middle-East Desk, for the BBC's Biodun Iginla 

Thousands of Yemenis are demonstrating in the capital Sanaa, calling on Ali Abdullah Saleh, president for more than 30 years, to step down.

This comes after mass protests in Egypt and a popular uprising in Tunisia that ousted its long-time leader.

Yemeni opposition members and youth activists gathered in four parts of the city, including Sanaa University, chanting anti-government slogans.

They also called for economic reforms and an end to corruption.

Yemenis complain of mounting poverty among a growing young population and frustration with a lack of political freedoms.

The country has also been plagued by a range of security issues, including a separatist movement in the south and an uprising of Shia Houthi rebels in the north.

There are fears that Yemen is becoming a leading al-Qaeda haven, with the high numbers of unemployed youths seen as potential recruits for Islamist militant groups.

'Tunisia-inspired'

Economic and social problems

  • Poorest country in the Middle East with 40% of Yemenis living on less than $2 (£1.25) a day
  • More than two-thirds of the population under the age of 24
  • Illiteracy stands at over 50%, unemployment at 35%
  • Dwindling oil reserves and falling oil revenues; Little inward investment
  • Acute water shortage
  • Weak central government

Protesters gathered in several locations of the city on Thursday morning, chanting that it was "time for change", and referring to the popular uprising in Tunisia that ousted President Zine al-Abidine Ben Ali earlier this month.

Opposition MP Abdulmalik al-Qasuss, from the al-Islah (Reform) party, echoed the demands of the protesters when he addressed them.

"We gather today to demand the departure of President Saleh and his corrupt government," he was quoted as saying by the AFP news agency.

There have been a series of smaller protests in the lead up to Thursday's mass demonstrations.

On Saturday, hundreds of Sanaa University students held competing protests on campus, with some calling for President Saleh to step down and others for him to remain in office.

Over the weekend, Yemeni authorities arrested prominent rights activist, Tawakul Karman, accusing her of organising the anti-government protests. Her arrest sparked further protests in Sanaa.

map locator

After her release from prison on Monday, she told CNN that there was a revolution taking place in her country inspired by Tunisia's so-called Jasmine Revolution.

Protests in Tunisia have ended 23 years of President Ben Ali's rule and ignited unrest elsewhere in the region, including Algeria and Egypt.

President Saleh, a Western ally, became leader of North Yemen in 1978, and has ruled the Republic of Yemen since the north and south merged in 1990. He was last re-elected in 2006.

Yemenis are angry over parliament's attempts to loosen the rules on presidential term limits, sparking opposition concerns that Mr Saleh might try to appoint himself president for life.

Mr Saleh is also accused of wanting to hand power to his eldest son, Ahmed, who heads the elite presidential guard, but he has denied the accusations.

"We are a republic. We reject bequeathing [the presidency]", he said in a televised address on Sunday.

Are you in Yemen? Have you joined the demonstration? What is your reaction to the protests? Send us your comments using the form below:

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Posted by biginla at 12:22 PM GMT
Wednesday, 26 January 2011
New or updated articles by Biodun Iginla of The Economist and of the BBC
Topic: bbc news, biodun iginla, the eco

January 26th 2011


Ideas Arena 
The Economist is hosting a series of online events examining the future of global leadership
Full article 

Debate: Natural gas v renewables 
This house believes that natural gas will do more than renewables to limit the world's carbon emissions
Full article 

Kashmir: A most unwelcome tricolour 
The BJP marks Republic Day with a cynical ploy
Full article 

Toyota: The latest recalls 
The Japanese carmaker's latest announcement suggests further problems in its supply chain
Full article 

Online travel firms: The coming consolidation 
As airlines have second thoughts about using them, travel websites are consolidating, and changing their business models
Full article 

Growth in Britain: A shock and a salutary lesson 
A reminder that governments are walking a fine line
Full article 

Audio: Money talks 
The world's appetite for coal, Google's management shuffle and the threat to Burberry's upmarket image
Listen 

Posted by biginla at 7:31 PM GMT
Publisher's Newsletter--The Economist, by Biodun Iginla, BBC News and The Economist
Topic: bbc news, biodun iginla, the eco
Click here to visit 'Which MBA?'

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The World in 2011 at The Economist

The World in 2011 at The Economist

In this issue we explore a global forecast of opinions and predictions that will define the world in 2011. With the global population approaching 7 billion, novel technologies will play an inevitable role in shaping our global communications, reinventing renewable energy sources, and introducing new methods of fighting disease. Even so, perhaps the most pressing issue the world will face will be the ever growing volatility of the overheating currency market.

Indeed, 2011 may very well be defined as a year filled with ever changing landscapes in business, science, and technology. However, what will remain certain is the uncertainty of a muddled future.

Sincerely,
Paul Rossi
Publisher


READ Relevant articles, research and special reports

• Finance – Markets in a muddle
• Digital publishing – Curl up with a good screen
• South Sudan votes – Hello country number 193
• Conflict in 2011 – Iraq's continuing headache
• Fighting disease – A fight to the death

ADVERTISEMENT
Economist VideoWho has the power to change the world? As business leaders, politicians and journalists meet for the World Economic Forum's annual summit in Davos, The Economist online examines leadership today and asks, 'Who are the global elite?'. In our Ideas Arena online event, we'll be exploring the emergence of an un-elected global elite whose decisions affect us all. Join the discussion in our online forum through February 18th 2011

ENGAGE Listen and watch the complete story unfold
Economist VideoWorld population – The seventh billion
The planet's population is hurtling towards 7 billion. But its growth will start to slow
Economist PodcastA global forecast – The EIU on countries and industries
The Economist Intelligence Unit looks at what will drive growth in 2011

DISCUSS Join the conversations with your fellow readers
Join the conversations with your fellow readers• The Economist asks: As the global population approaches 7 billion in 2011, should the world worry? Some argue that there will be a fret over diminishing resources, while others remain more concerned that the world's population is slowing down, with the fertility rate already below replacement levels in some countries.
• Natural gas debate: Can a fossil fuel be an environmental boon?

FEATURED STORIES

Finance – Markets in a muddle
Watch out for currency confusion 
READ MORE >>

Digital publishing – Curl up with a good screen
Books will shift shape and turn into "b-apps"
READ MORE >>

South Sudan votes – Hello country number 193
Introducing South Sudan 
READ MORE >>

Conflict in 2011 – Iraq's continuing headache
Iraq will still be a dangerous place for Iraqis and outsiders alike 
READ MORE >>
Click Here!

Fighting disease – A fight to the death
Scientists should at long last be able to see a route to the total eradication of malaria
READ MORE >>

The Economist online: Read Engage Discuss

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Posted by biginla at 7:17 PM GMT
Tunisia Issues Warrant for Arrest of Ousted Leader
Topic: tunisia, bbc news, biodun iginla


Moises Saman for The New York Times

A young man injured during clashes between protesters and the Tunisian police was carried away in a wheelchair near the office of the prime minister in central Tunis.

 

TUNIS — The interim government in Tunisia has issued an international arrest warrant for the overthrown president, Zine el-Abidine Ben Ali, and members of his family for financial offenses, the justice minister said Wednesday, as protesters continued their call to rid the government of cabinet members connected to Mr. Ben Ali.

Fethi Belaid/Agence France-Presse — Getty Images

People fled tear gas during clashes with security forces in front of Prime Minister Mohammed Ghannouchi’s office in Tunis on Wednesday.

The warrant has been sent to Interpol. Meanwhile, Switzerland announced that it has blocked funds worth tens of millions of Swiss francs connected to the Ben Ali family, but did not provide further details.

In a country where it is novel for public officials to face a free press, the justice minister, Lazhar Karoui Chebbi, announced the warrant in a long monologue at the head of a conference table surrounded by throngs of journalists whose subsequent questions quickly descended into a shouting match. Mr. Chebbi was once allied with Mr. Ben Ali.

As the minister spoke, the chants of protesters calling for the release of political prisoners came in through the windows, while the families of prisoners thronged the steps to the ministry and the hall outside the room.

Despite a call for calm from pro-government demonstrators, the police fired tear gas at protesters who massed outside the offices of the prime minister to demand the dissolution of his government.

The turbulence came as the interim authorities prepared to announced changes in the government, which protesters say includes too many ministers, including Prime MinisterMohamed Ghannouchi, carried over from the administration of Mr. Ben Ali.

In a square outside the prime minister’s offices, some demonstrators among a crowd of more than 1,000 hurled rocks at the police as billows of tear gas enfolded them, according to witnesses and security forces, and several protesters were taken to the hospital. But the police cleared only a side street and left the protest in the square to continue, surrounded by army soldiers watching from the sidelines.

The confrontation seemed again to raise the question of what would satisfy protesters here whose example in recent days seemed to provide inspiration to antigovernment marchers in Egypt calling for the overthrow of President Hosni Mubarak.

Demonstrators in Lebanon against the Beirut Parliament’s election of a new prime backed by Hezbollah are fueling the impression of a region in turmoil.

On Tuesday in Tunis, after days of antigovernment protests, dozens marched in the capital to show their support for the interim government that replaced Mr. Ben Ali, pleading with their fellow citizens to give the temporary leadership time to hold elections.

But they remained vastly outnumbered by more than a thousand protesters demanding the dissolution of the government, angry at its continued domination by former members of Mr. Ben Ali’s ruling party.

The two groups scuffled briefly.

The state news agency also reported that another Tunisian had attempted to set himself on fire in the impoverished interior city of Gefsa. It was the first instance of an attempt at self-immolation since a peddler burned himself to death, setting off the country’s revolt. More than a dozen people in North Africa and the Middle East have set themselves on fire since the Tunisian revolution started.

The interim government, which has pledged to hold free elections in six months, appeared to be attempting to wait out the protests. In efforts to placate the demonstrators, the government announced a plan to spend over $350 million compensating those injured in the unrest, the families of people who were killed, and craftsmen and traders whose businesses have suffered during the revolt.

There was also sporadic evidence that not all of the police were abiding by the interim government’s pledges to respect press freedoms. Moises Saman, a freelance photojournalist with the Magnum agency, working in Tunis for The New York Times, was mildly injured when he was assaulted by about a half-dozen police officers Tuesday evening at dusk. He was attempting to photograph a group of police officers beating a man in an alley.


Posted by biginla at 5:10 PM GMT
Egypt's opposition pushes demands as protests continue
Topic: egypt, nasra ismail, bbc news, M
 
 

 

by Nasra Ismail, BBC News Middle-East Desk, for the BBC's Biodun Iginla

Anti-government demonstrations in Egypt on Tuesday were the biggest the country has seen since the bread riots of 1977. Inspired by the recent uprising in Tunisia, they involved thousands of Egyptians from a variety of opposition groups. But just who are these opposition movements and what are their demands?Crowd in Tahrir Square, Cairo carrying signs against President Mubarak.Egypt's "day of anger" brought thousands of workers, students, members of opposition parties and other activists onto the streets.

6 APRIL YOUTH MOVEMENT

April 6 Youth Movement "Day of Anger" promotionApril 6 members make extensive use of Facebook, Twitter and Flickr to organise pro-democracy events.

This youth opposition coalition was the main organising force behind Tuesday's demonstrations. In its online call for the "day of anger" on Tuesday 25 January, the group cited a list of demands. They included the departure of the interior minister, an end to the restrictive emergency law, and a rise in the minimum wage. The movement is urging Egyptians to "take to the streets and keep going until the demands of the Egyptian people have been met".

The movement began as an Egyptian Facebook group in 2008 to support workers in the northern industrial town of Mahalla al-Kubra and called for a national strike on 6 April that year.

Members, who include many young well-educated Egyptians, have shown a greater willingness than others to risk arrest and start public protests. They have successfully organised pro-democracy rallies and a large welcoming party for the former United Nations' nuclear watchdog chief, Mohamed ElBaradei, when he returned to his home country in February 2010.

The group uses Facebook, Twitter and Flickr to alert its networks about police activity, organise legal protection and publicise its efforts.

NATIONAL ASSOCIATION FOR CHANGE (NAC)

Mohamed ElBaradei meeting supporter in Cairo.Mr ElBaradei backed the protest but has tended to avoid directly confronting Egypt's government.

This umbrella organisation for opposition groups was set up by Mohamed ElBaradei when he returned to Egypt after many years abroad, declaring his wish to be a "tool for reform".

Mr ElBaradei did not participate in the latest protests but he did back them in a post on his Twitter feed: "Fully support call 4 peaceful demonstrations vs. repression & corruption. When our demands for change fall on deaf ears what options remain?" Several members of his group were summoned by security services in the run-up to demonstrations.

Also on Tuesday, the NAC issued a statement calling on President Hosni Mubarak not to seek a sixth term in September's presidential election and opposing any succession of power by his son, Gamal. It also demanded dissolving the newly elected parliament where the ruling NDP controls more than 90% of seats.

In the NAC, leaders of liberal political parties like al-Ghad and the Democratic Front are represented alongside Islamists from the Muslim Brotherhood. The loose coalition also includes prominent intellectuals and veteran activists, among them members of Kefaya, the Egyptian Movement for Democratic Change, which organised unprecedented rallies ahead of elections in 2004.

Poster of President Mubarak being torn down by protester.The NAC says President Mubarak, 82, should not run in the next elections.

The NAC has demanded an end to the state of emergency and democratic and constitutional reforms. Efforts to collect a million signatures in support of its programme were significantly boosted by the active involvement of the Muslim Brotherhood.

However divisions grew when the Islamist group would not join its boycott of last year's parliamentary elections. The groups were already at odds over strategy, with many activists advocating more direct confrontation of the regime than Mr ElBaradei was prepared to countenance.

MUSLIM BROTHERHOOD

Demonstrator confronts riot police.Egyptian officials blamed the Muslim Brotherhood for causing riots but it has not played a big role in protests so far.

Despite an official ban, the Muslim Brotherhood is Egypt's largest and most organised opposition movement. The interior ministry blamed the organisation for rioting that took place on Tuesday, saying that a number of protesters "particularly a large number of those affiliated with the Muslim Brotherhood… began to riot, damage public property and throw stones at police forces".

However, their numbers in the protests is unclear. The conservative leadership decided not to fully endorse the demonstrations to the anger of some younger supporters. A senior spokesman, Essam el-Erian, said he did expect large numbers of the organisation's members to participate of their own accord, and called on them to stick to peaceful methods. Leaflets outlining its political demands were distributed at the rally.

Until last year, Muslim Brotherhood members (running as independent candidates) held one-fifth of seats in the last parliament. But it lost its representatives in the 2010 parliamentary election. After a first round of voting was marred by serious fraud and violence, it decided to boycott the second round.

In the past, the group has proven able to draw large crowds out onto the streets but has mostly avoided directly challenging the government. It has organised large protests against Israel's war in Gaza and the US-led war in Iraq, for example.

WAFD PARTY

This well-established party does not enjoy popular support, but previously led the official opposition in parliament. It then boycotted the second round of the last elections because of widespread vote rigging. Along with its president, al-Sayed al-Badawi, it has often been accused of being too close to the government and giving it the cover of an official secular opposition.

Like the Muslim Brotherhood, Mr al-Badawi did not join Tuesday's protests, but gave his approval for the youth of his party to participate in their personal capacity. He then announced his own demands on Arab satellite television for the dissolution of parliament, a new national unity government and new elections under a proportional representation system.

AL GHAD PARTY

Ayman Nur at 2004 political rally.Ayman Nour joined the popular protest but no longer has wide political support.

The founder of the liberal al-Ghad (Tomorrow) party, Ayman Nour, spent over three years in prison on what were widely seen as trumped-up forgery charges after finishing a distant second to President Mubarak in the last presidential election. While he was behind bars, his party was taken over by government supporters. Its headquarters were then set on fire in a dispute between rival factions.

Since his release in February 2009, Mr Nour has been a regular presence at anti-government demonstrations. His group set up a movement to oppose presidential succession before joining the National Association for Change. Mr Nour is still thought to harbour presidential ambitions but no longer has the high profile he did in 2004. He joined in Tuesday's protest.

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Posted by biginla at 4:53 PM GMT
BREAKING NEWS ALERT: Experts Hail Return to Civility at State of Union
Topic: state of the union, bbc news

by Biodun Iginla, BBC News

 

Democrats and Republicans sat together. Applause breaks were shorter and more subdued. Booing and heckling were nonexistent. And the president took pains to appeal to both sides.

Tuesday night's State of the Union address marked a return to civility for an event that had in recent years been overwhelmed by partisan rancor. Lawmakers from both sides pledged to tone down their rhetoric following a mass shooting in Tucson, Ariz., that gravely wounded Rep. Gabrielle Giffords and killed six others.

Editor's Notes:


Posted by biginla at 4:37 PM GMT
MediaBistro News Feed by Biodun Iginla, BBC News and MediaBistro New York City : NY : USA | Jan 10,
Topic: media, mediabistro, bbc news

Morning Media Newsfeed

Wednesday, January 26, 2011

 

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ObamaSOTU100x100The Internet Stole Obama's State Of The Union From Cable News (TheWrap.com) 
A reliable producer of big ratings for cable news networks for decades, the president's annualState of the Union address Tuesday seemed to mark a turning point in which media delivery of the event was decisively channeled through the Internet, not television.TheWrap.com: National Journal defended its decision to publish the full transcript of President Barack Obama's State of the Union address about two hours before its scheduled delivery Tuesday. According to a spokesperson, the publication received the transcript from "a trusted source. Recognizing the clear news of that, we moved it." Mashable:In addressing American innovation in the State of the Union Address, President Obama called America a nation ofGoogle and Facebook.HuffPost: "The energy was down, the president seemed tepid, and there's no doubt that about 10 or 15 minutes into it, he sensed that," MSNBC'sJoe Scarborough said. "I've never seen an audience as flat or a president as flat as this…it was just boring all around." Newsweek/ KausFiles: Civility is boring! Who knew? It was way more invigorating when people cheered and shouted, "You Lie!"Slate: "Win the future." That was President Obama's slogan for his State of the Union address, in which he used the phrase (or a variant) 11 times. New York Magazine/ Daily Intel: In the grand tradition of opposing party response speeches, Paul Ryan's was pretty good.Michele Bachmann's speech was not as much of a crazy mess as liberals hoped it would be. Mediaite:Rep. Michele Bachmannmade history Tuesday night not just for being the first representative of the Tea Party to give a State of the Union response, but also for flatly refusing to look America in the eye.

Peacock No Prude (NY Post) 
NBC's new chief, Bob Greenblatt, the programming executive who transformed Showtime into a pay-TV powerhouse, is telling Tinseltown producers he's going to push the boundaries of broadcast television in a bid to revive the Peacock network.

Can A YouTube Host Make It In Cable News? (TVNewser) 
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MSNBC's Ed Schultz: 'We Are A Channel That Has To Follow Rules Of NBC News'(TVNewser) 
The stunning news thatKeith Olbermann and MSNBC were parting ways sent a message through the entire news division: Ratings growth, and the ad dollars that come with it, are great, but it's not worth damaging the 70-year-old NBC Newsbrand in the process.NYT / Media Decoder:MSNBC received some gratifying ratings news from the first night of its new primetime lineup as it showed increases in the 8 p.m. and 9 p.m. hours, even in the absence of its previous leading man, Keith Olbermann.

 

Rupert Murdoch's Family Reunion (The Daily Beast) 
Rupert Murdoch may soon be reunited with his daughter, Elisabeth, at News Corp. -- and the return of his eldest son, Lachlan, might not be too far behind.

If Rahm Can't Run For Mayor, He Should Snare Talk Show(Chicago Tribune) 
It could be a very long four years for Rahm Emanuel if it turns out he can't run for mayor until 2015. The Man Who Would Be Mayor ought to bide his time as a talk-show host or pundit. He was born for a seven-second delay.

 

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Twitter Blocked In Egypt In Response To Massive Protests(ReadWriteWeb) 
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Mike Elk: Dismissal Signals Change In Direction For HuffPost(PBS / MediaShift) 
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Posted by biginla at 4:13 PM GMT
Theory Beyond the Codes: Part 2--presented by Biodun Iginla, BBC News
Topic: technology, internet, economics
CTHEORY:        THEORY, TECHNOLOGY AND CULTURE      VOL 34, NOS 1-2
        *** Visit CTHEORY Online:http://www.ctheory.net***

TBC 016      01/25/2011        Editors: Arthur and Marilouise Kroker
_____________________________________________________________________

                      *************************

                        THEORY BEYOND THE CODES

                      *************************
_____________________________________________________________________


CTheory Interview

Digital Inflections: The Einstein's Brain Project
=================================================


~Alan Dunning and Paul Woodrow in conversation with Ted Hiebert~



    "[B]odies are never event bound and event defined, but event
    defining -- and always at the point of becoming. This is a
    continual shudder across our work -- the body as an
    ever-receding event horizon. A hole in the fabric of the world,
    a non-alibi, a white hole."

    -- Einstein's Brain Project

Introduction
------------

What does the world look like when we turn out the lights? Does it
not first surprise us -- not with nothingness but with a dance of
after-images which, fading, are transformed into patterns of visual
noise? And, even after the noise begins to fade, does not the
imagination kick in -- whether dreams of day or night or blind-spot
hallucinations of what would be there if only the eyes were open to
see? It is as if the closed eye compels a cognitive hyperactivity
that ensures there will always be something to see, even when that
vision has no real correlation to the world around us. Even the
closed eye knows no solace from the visual.

One imagines that for the camera the situation is different -- the
camera not being subject to false appearances as a result of what was
seen a second before the room went dark. The camera does not know
darkness -- the camera knows only the nothingness that is a pure
absence of stimulus.

Or so one might imagine...

But the real question is whether machines can imagine too, whether in
the darkness there is anything that might cause the machines to see
as humans do -- to see things where there are none, and to recognize
within these visual mistakes optical or aesthetic possibilities?
Maybe not on purpose, but when properly configured even cameras can
be made to see in the dark -- and to make up images where there would
otherwise be none. Consider the possibilities of the following
scenario -- seen for the ways it might make the machines themselves
imagine:

A camera and a sensitive microphone are turned on, but enclosed in a
completely light tight, anechoic box. They record no image, receive
no light and sense no sound. The camera input is adjusted with
maximum gain and brightness to reveal the video noise inherent in the
system. This noise provides a medium that can potentially be modified
by external electromagnetic forces. [...] Face tracking algorithms
using a cascade of Haar classifiers scan the random noise in each
video frame and look for any combination of pixels that form the most
basic characteristics of a human face -- areas that can be loosely
characterized as eyes, nose and mouth with a sufficient degree of
symmetry. When the software finds such a combination of pixels and
symmetry the area is zoomed to full screen, its contrast and
brightness adjusted, blurred and desaturated to clarify the found
image. [1]

The project is called ~Einstein's Brain~, a collaboration among Alan
Dunning, Paul Woodrow and Dr. Morley Hollenberg, who have for more
than a decade been examining the aesthetic possibilities of machinic
rendering. Using a variety of biofeedback equipment, pattern
recognition software and interactive media interfaces, the work of
the ~Einstein's Brain Project~ (EBP) explores technology as an
allegory for human consciousness, and human consciousness as a
contributing participant in the development of our technological
future.

In their words:

~Einstein's Brain~ is a collaborative, immersive, virtual and
augmented reality work that explores the notion of the brain as a
real and metaphoric interface between bodies and worlds in flux, and
that examines the idea of the world as a construct sustained through
the neurological processes contained within the brain. It suggests
that the world is not some reality outside ourselves, but that it is
the result of an interior process that makes and sustains our body
image and its relationship to a world, and that the investigation of
virtual reality, its potential use as a perceptual filter, and its
accompanying social space is an exploration of the new constructions
of consciousness and the consequent technological colonization of the
body. [2]

What follows is an edited series of electronic conversations with
Alan Dunning and Paul Woodrow on aspects of recent EBP projects and
ongoing topics of inquiry.

Ted Hiebert (for CTHEORY): First, thank you both for agreeing to this
conversation, which I hope will also be an opportunity to highlight
some of the very innovative work you are doing with your
collaborative project, ~Einstein's Brain~. In a general sense, I want
to say that your work is about questions of digital subjectivity,
consciousness and perception, though I know that for you it is also
about a whole range of other things as well. In a pragmatic sense,
however, what I think is truly unique about the work that you are
doing is that it reverses the terms according to which technology is
popularly understood -- not necessarily only an operational assistant
to human productivity but as itself a series of interpretive systems
that are subject to aesthetic renderings of various sorts.

Einstein's Brain Project (EBP): New technology always creates new
aesthetic possibilities. What you have identified is our sense of
technology as something that constantly generates analytical
potentials that can be realised by systems that go beyond mere
representation. One of our ongoing concerns has been with invisible
energy fields as components that surround and attach themselves to us
and to themselves, and a large part of our project has been to
visualise these in ways that reveal and capitalize on their capacity
to excite and instigate new structure and novel form. We have given
ourselves over to the idea that technology is a form of life, and our
work tries to suggest what kind of life this is.

CTHEORY: Your later work, in particular, emphasizes these ideas --
which I'll get to in a minute. First however, I want to contrast them
a bit to your earlier work, which I think does this too but in a
slightly different way. For those who aren't already familiar with
the work you've done, I wonder if these earlier projects might not be
important for the understanding of how your ideas have developed, and
the nuances of your more recent projects.

Take, for instance, a project such as ~The Madhouse~ in which you had
a sculpture of a human body coated with thermochromic paint, coupled
with an EEG-enabled HUD, as trigger interfaces for audience
interaction. When the viewer touched the model it changed color and,
if I'm not wrong, the viewer's thoughts also interacted with a
programmed database to provide a series of EEG-selected visuals.
There are many things that are interesting about this project, among
them the fact that you titled the body/sculpture ALIBI, as if to
purposefully provoke the question of agency and placement when faced
with the technological interface. In your later work, it becomes
clear that this is not about using the technological as allegory for
the human, but the opposite -- not subjecting the human body to the
machine but purposefully subjecting machines to the human body. Not
technology, as McLuhan had it, as that which extends the body outside
of itself, but instead the body as that which forces technology to
internalize -- adapting to the messiness of human input. In other
words, this wasn't just about wiring bodies to the machines, but also
an exploration of what happens when the relationship is seen the
other way around.

[Figure 1: ALIBI, Pandaemonium, 2002]

EBP: ALIBI (Anatomically Lifelike Interactive Biological Interface),
the interface to the Madhouse cycle of works, was conceived as an
interface built around ideas of absence and invisibility, even as it
was intended to be tangible and present. Its surface disappeared as
the thermochromic paint became transparent at a certain temperature,
creating a fleeting index of a touch. Its main interactions were
enabled by moving within large invisible, electromagnetic fields that
encircled the body. These interactions enabled a participant to
navigate a complex virtual 3D environment that was generated
on-the-fly by evoked potentials harvested by an EEG equipped HMD.

ALIBI is entirely a non-alibi -- a direct interface to a boundary
that is diffuse -- neither properly here nor there, akin to a
dissipating, permeable boundary reminiscent of a rapture of the deep.
Not protected, like the astronaut in his suit, from the coldness of
space, but caught, like the diver, in the overwhelming desire to meld
with the ocean.

The body was never conceived of as an interface ~per se~ but rather
as a sensory blister caused by the friction between two ever-changing
worlds -- the immediate past and the immediate future. This is more
apparent in later work ~Ghosts in the Machine~ and ~The Sound of
Silence~, in which even the suggestion of an interface has been
eliminated forcing us to imagine machines imagining a past and a
future in lieu of a discernible present.

This comparison of machines wired to bodies or bodies wired to
machines is interesting, and is one that has emerged through an
imagining of both bodies and machines as organisms that are subject
to the vagaries and whims of the other. It is this notion of affect
that is important in how we have come to think about subjectivity.
But in the end there might be less of a distinction than a polar
comparison suggests. Our sense is that bodies and machines are
inextricably enmeshed and their relationship constantly changes at
speeds that are out of step with any mechanical or biological clocks.
For us this problematises not just what such a body might be, but how
we might locate such a body that is at one and the same time, both
all too located, subject to the passage and ravages of time, but
strangely, in technoetic enviroments, non-spatial and atemporal, as
it is as is constantly re-defined as bio-illogical organism.

Our physical bodies might age, tire, change shape, and even disgust
us, but are always remade when distributed by the technical
apparatus. Where is the body that is super-distributed, that is
omnipresent? The body is simultaneously present and absent -- fixed
and present, mutating and absent -- always on the verge of becoming.
The body is driven to new forms, new imagined and re-imagined forms,
even as it posits itself as fixed entity.

For us, then bodies are never event bound and event defined, but
event defining -- and always at the point of becoming. This is a
continual shudder across our work -- the body as an ever-receding
event horizon. A hole in the fabric of the world, a non-alibi, a
white hole.

CTHEORY: In a curious way, might this have the effect of reversing
the terms of phenomenal engagement as well -- or perhaps simply
adapting them to the technological equation? One might even here
propose something along the lines a techno-phenomenology, a type of
phenomenology particular to the ways machines themselves inhabit this
non-present that you describe. I agree that this sort of relationship
is articulated in particularly poignant ways in recent installations
such as ~The Sound of Silence~ and ~Ghosts in the Machine~. These are
the pieces referred to in the introduction to this interview, in
which you enclose cameras and microphones in perceptually-vacant
spaces so as to subject the technologies themselves to their own
internal processing noise as stimulus for image and sound generation.
With ~Ghosts in the Machine~ the interface is a light-tight box that
contains a camera; with ~The Sound of Silence~ a sound-proof space
with a microphone -- in both instances the technologies are wired to
see or hear what is not there.

These two works interest me particularly because they make clear a
number of larger trends in your collaboration -- among them a real
refusal to let subjectivity off the hook when faced with questions of
the invisible.

EBP: This descriptor of a proposed field of inquiry is good in its
ambivalence. What you refer to are the sensory experiences associated
with certain products of recent technological invention, mainly
projected images and screen images -- otherwise we might say that all
"images as artifacts" are products of technology and can talked about
in some phenomenological context.

When it comes to the perception of an image we can talk about it as
an event -- as Alva Noe has suggested -- a kind of action. It's an
action that includes a relation, in fact a number of potential
relations, between the observer and the observed. The difficulty in
thinking about this is to make a true distinction between the
observer and the observed, since there seems no clear dividing line
between the two in an objective way. So in a sense when you talk
about Einstein's Brain Project not letting subjectivity off the hook
when it comes to the invisible, there are always in every action of
perception imperceptible qualities that accompany those phenomena
that we as observers acknowledge as perceptions. This is made more
complex by that fact that the act of perception itself is virtual --
we are in the process of creating potentialities for possible worlds.
How is this possible without a subject? But maybe this is not what
you mean by letting subjectivity of the hook -- and for what?

[Figure 2: Ghosts in the Machine 2008]

CTHEORY: In the context of your later work, I think maybe this could
be framed as a question of interactivity, specifically in the sense
that you begin to engage subjectivity as a dialogic space, rather
than one of incommensurability. There's an important distinction to
be made here, I think, in terms of works that extend the human body
and mind and those that also reciprocate -- beginning to challenge
the machines themselves as well. To put terms to it, it might be
called the difference between interactivity and interface, with the
former demanding a reciprocal engagement that extends beyond the
simple machine processing of human stimulus.

EBP: Interface suggests a plane at which a transition between two
worlds occurs -- but in ~Ghosts in the Machine~ there is no membrane
but an intermingling of two worlds at the atomic level. The interface
in ~Ghosts in the Machine~ references an ongoing unexhibited work,
~Permeable City~, looking at micro interfaces between skin and world.
The interface in ~Ghosts~ is a sort of bio-noosphere in which machine
and body are lost in the generative system. The work itself is
actually invisible -- seeing only in its shadow: the flickering of
pixels, the shapes of faces. The invisibility for us was occasioned
by some ideas we had about the hypermorphic or prestomorphic -- the
movement from one state to another at such a rapid rate that objects
had neither form nor substance. In filmic terms this might be the
gaps between the frames, but extended into a new space developing out
of the movement towards non-linear modes of recording that allow the
development of a completely fictive space wrapped in a non-solid and
invisible moment.

CTHEORY: This is a wonderfully complex counter to some of the more
aggressive theories of technology, such as those of Paul Virilio in
which technology harvests and co-opts and, ultimately, renders
obsolete the human face of data through its philosophy of "more,
better, faster" -- suggesting that life, rendered informatically,
cannot keep up to its technological potential. Yet, what
interactivity demands, and what works like ~The Sound of Silence~ and
~Ghosts in the Machine~ deliver is a more human side to these same
technologies. It's potentially a point of reversibility, where in a
certain way technology cannot keep up to the simple question of human
inadequacy. As a result the human experience is enriched as well --
or frustrated, depending on one's comfort level with these states of
rendered invisibility -- rendered non-experience, perhaps.

[Figure 3: Ghosts in the Machine 2008 1]

EBP: The works to which you refer, ~Ghosts in the Machine~ and ~The
Sound of Silence~, contribute to the conscious awareness of the
perceptual process. Brian Massumi talks about this process with real
depth, comprehension and clarity. In his essay "The Thinking-Feeling
of What Happens," clarifying Susan Langer's notion of semblance,
Massumi concludes:

A semblance takes the abstraction inherent to object perception and
carries it to a higher power. It does this by suspending the
potentials presented. Suspending the potentials makes them all the
more apparent, by holding them to visual form. The relays to touch
and kinesthesia will not take place. These potentials can only
appear, and only visually. The event that is the full-spectrum
perception is and will remain virtual. A life dynamic is presented,
but virtually, as pure visual appearance. [3]

~Ghosts in the Machine~ and ~The Sound of Silence~ are works that
create conditions for observers to consciously experience the
potentiality of their own visual process and create a situation in
which they are able to question the fixity of the world in which they
presently inhabit -- to begin to discover the phenomenal world and
its equivalences. The work is neither didactic nor demonstrational.
What is important and interesting for us is that the participant in
the work senses a series of contingencies, as if he or she is always
on the threshold of being transformed -- its as if the work is able
to create an feeling of anticipation within the viewer that exists
within the work in another form.

CTHEORY: Indeed, there is something poignant about these works that
frustrates the attempt to reduce them to demonstration -- perhaps it
is as simple as to privilege the act of perceiving over any
assumptions about the fixity of what is seen. Here, most obviously,
you suggest that machines might be made to perceive information where
there is nothing but their own internal processing mechanisms to
witness. One might even go as far as to say that, in these works, you
make the machines hallucinate, subjecting them to an absence of
stimulus but insisting that they perceive anyways, and in turn
harvesting this technological imaginary for its potentially
recognizable patterns. Despite the fact that there is nothing to see,
there are still images that appear and consequently processed
experiences of one sort or another that, despite their errors, were
nevertheless witnessed in one way or another.

EBP: Thomas Metzinger's theory of the phenomenal self-model is
applicable to the work at a very elementary level. Metzinger's
central notion is that no self exists, saying that all that has ever
existed are conscious self-models that are not recognized as models,
they are what he terms the phenomenal self. The phenomenal self is
not a thing but a process. The subjective experience of being someone
derives from a conscious information processing system. You are such
a system, although it is transparent and you don't see it. But you
see with it. Metzinger's central claim is that we confuse ourselves
with the content of the self-model currently activated by the brain.
According to Metzinger this conscious self-model allows an organism
to conceive of its self as a whole and thereby to causally interact
with its inner and outer environments in an entirely new and
integrated and intelligent manner. This notion is reminiscent of V.S.
Ramachandran's idea of the phantom body. What we seem to take on as
our body is an image, derived from the body, that is projected to the
brain in all its phenomenal hallucinatory qualities.

In reference to our work, it is in the process of experiencing
technological hallucination that we construct our own bodies as
hallucinations or, better still, as phenomenal. Yet, there is the
desire for a light body, an immaterial body -- a body that doesn't
necessarily carry a lot of baggage, that is not weighed down with
knowledge -- a body that is ready to act, a bodily potential. This is
what Metzinger suggests with his notion of the phenomenal self-model
of subjectivity. The title of his book _Being No One_ evokes the
invisible. As an aside, Paul used to use Mr. Invisible as a pseudonym
-- even though he might have been joking. So when you pose the
question of interactivity as symptomatic of an emergent form of
subjectivity it seems to make sense. However in current thinking
about technology this type of interactivity doesn't seem to be widely
acknowledged, as you point out in your initial statement.

CTHEORY: Is it possible then that what is hallucinated is ultimately
secondary to the momentum responsible for hallucination? This strikes
me as quite a new way to think the question of phenomenology -- not
grounded in the tangibility of the senses, but grounded exactly in
their potential for making mistakes. The concept would have
precedents in things like Ramachandran's mirror treatment for phantom
limb syndrome -- in which the mind is conscientiously "fooled" into
seeing a limb where there is none -- or, in a strange technological
twist, a remix of the Situationist concept of psychogeography as, in
this context, a re-claiming of the urban environment through
experiential psychoses. One might speak here of a technological
psychosis that is less a demonization of technological subjectivity
and more an acknowledgement that the mind on technology sees the
world differently -- hallucinating or making mistakes in advance, so
to speak.

This is what I meant also with the idea that your work refuses to let
subjectivity off the hook -- namely for the invisibility that informs
the horizon of encounter. I think the pseudonym Mr. Invisible is
great -- and all the more provocative when mentioned in conversation.
It becomes necessary to cast doubt in order to preserve the accuracy
of the situation.

EBP: The idea that what is hallucinated is secondary to the momentum
responsible for the hallucination is appealing. You are suggesting
that there are these continuous flows that do not end up separating
themselves as objects, but are potentialities that are on the
threshold.

The notion of the potentiality of making mistakes is very strange. We
have written about identifying something as something it is not. It's
like the question of what is a proper hallucination. At the level of
everyday life we are always involved in the construction of partial
identities even with someone we know, because at the time of
interaction we seem to want to use what is necessary as per the
outcome of the interaction. We don't summon other data, even at the
level of memory, when we engage in social interaction -- we can say
that many of our actual dealings are with the currency of the
virtual. When we are afraid to do something or feel it might be
against the law, who is it we are addressing? It seems to be related
to the notion of our own identity as being phantom. The example of
being consciously fooled (in Ramachandran and the phantom limb) is
reminiscent of Gibson's "consensual hallucination."

CTHEORY: In a sense, it might be seen as setting the machines up to
fail, and harvesting from them the images of technological failure.
Here, you have found a way to make the machines imagine -- and to
turn this into a spectacle for the human witness. It is an exact
reversal of the way the question is typically thought -- and it is
both a humanization of the machines and a poignant insistence on the
spectacle of failure. Here not only do the machines begin to
hallucinate, but there are established protocols for understanding
how they do so, and how to filter such hallucinations -- generally
called noise -- out of the picture. Except that you have factored it
into the picture instead -- pre-empting proper optical data in favor
of that which requires machine interpretation.

EBP: If we want to be a bit more extreme, we could even ask the
question whether machines possess a phenomenal self-model, and how it
might be constituted? It would have to be a self-model without a
consciousness. And of course it couldn't be something that machines
possess on their own -- this wouldn't make any sense. However if we
look at machines as not being independent from their operation, being
(existence) and configuration would include a relation with humans --
then it is possible to think about this question in another way: the
consciousness of machines comes from their relations to humans. Is
this just another form of the cyborg, but reimagined with your
thoughts on the "body as that which extends technology inside of
itself" in mind -- a reverse cyborg?

One wonders whether all technology is an adaptation to human input --
as in the end it serves human purposes. But you are really talking
about something else that has to do with essential humanness and
perception. Think about the brain's capacity for recognition of the
human/animal physiognomy -- faces. Looking for faces in technological
data says something more about the function of the brain than the
constituents of electronic signals. Searching for pattern in
randomness has many implications.

Your notion of harvesting the technological imaginary is engaging and
conjures up a new breed of farmers -- new crops, new tools, new food.

CTHEORY: The idea of the processed metaphor reminds me of what you
have called the "prestomorphic" -- which I may have misinterpreted,
but I think may still be worth following-up. It seems that
discussions such as these, at a certain point, begin to reverse on
themselves. The machines are made to hallucinate but their
hallucinations are on purpose and with logic if not reason, yet no
less substantial for their explanation. I want to say that the
concepts become quickly about a logic of failure, except that I don't
know that the concept of failure applies anymore in the system you
have created -- which turns it immediately into something else.

At stake, perhaps, is the logic of pareidolia -- a logic that can
never be self-evident because its very evidence relies on a
transgression of logic. It is an improper hallucination that presents
itself as a hallucination -- instead a hallucination must mistake
itself as real -- making the mistake, rather than the image, the
mechanism of the phenomenon. But this, again, just to confess in
advance that I'm caught in the prestomorphic imagination of these
dialogues -- catching up in retrospect to a conversation we've
already had.

EBP: The pareidolic impulse, particularly in ~Ghosts in the Machine~,
is one that is predicated on a mistake -- an identification of
something as something it is not -- i.e an index of something. This
is not to our minds a hallucination proper but rather some sort of
withheld or withdrawn revelation -- something on the point of being
revealed, but immediately lost, through its very appearance, leaving
only a felt event. The subject as a maker of meaning is compromised
by the role that the subject is assigned. The subject is subjected to
a flow of information that can never settle into any sort of
coherence. The machine is lost in a machinic reverie, abandoned by
the very means of its reverie -- a kind of psychotic break occasioned
not by the interpretative capacities of the viewer, but simply by her
presence or absence.

CTHEORY: But even the psychotic has momentum -- perhaps in this case
the momentum of what you referred to as the "white hole" -- an
intriguing concept. I'm not quite sure what to make of such an idea
-- it is not quite a black-hole in rewind, yet the difference, if I
understand, is temporal rather than directional. In some ways,
perhaps, this is not unlike Walter Benjamin's angel of history, blown
forward forcefully into the future by the wake of the accumulation of
time. Here the wake comes first, followed by the historic
accumulation -- as if to suggest that material history simply tags
along, surfing the waves of momentum it will eventually cause. At
some point before one reaches the future, the past catches up -- the
event horizon is the condition of attraction, but attraction is the
wake in advance -- defining the event horizon itself. I can
understand why you alluded to this as a rapture, but if I understand
correctly it would be a purposefully ambiguous rapture -- one of
which one cannot quite be certain but within which one nevertheless
is immersed?

EBP: The white hole enables some ideas about a constantly receding
event horizon. In this system events are atemporal, but still
spatialized, with no past or future -- but an imagined future past
that reconstitutes itself as the present. Like frames of a film, the
images in ~Ghosts in the Machine~ have disappeared before they are
seen. The images are always receding, never quite disclosed, never
quite seen -- but still persistent. The local becomes a distributed
local -- n-dimensional, alocal and atemporal. Just as there isn't
really a now, just sense that it is neither past nor yet to be, so
there is an equivalent loss of here, just a sense of an impending
there. Now these are synthetics displayed in all too substantial
galleries and spaces, but this is where the work becomes most
interesting for us. The constantly receding event and its connection
to an invisible past, reconstitutes these spaces as n-dimensional, as
rapturous.

CTHEORY: It's almost as if you're suggesting an answer to the
question of whether a tree falling in the forest makes a noise if
there's nobody there to hear it -- in this case the paradoxical
answer is that one does not have to be in a forest to hear a tree
fall. It's not a ~trompe l'oeil~ but a ~trompe logique~ -- perception
that goes beyond telematic or non-local to become hyper-local -- so
specific to context that its context has been internalized in
advance. This is what I take you to mean with the term
"prestomorphic" as well -- part physics part magic, but with
perceptual effects that are immediate enough to demand
acknowledgment, even if their status remains open to question.

EBP: Presto refers not only to the quickness of the metamorphic
process, but also to its sleight of hand. Unseen, unheard, but
present. Imagine a simple shape generated from the rapid oscillation
between a cube and a sphere. Imagine that this happens at random
speeds and at random intervals. At any one moment the shape is caught
between two states -- total cube-ness and total sphericality. But if
the noticed moment is always in the past, as it must be, then the
object no longer occupies any space at all. It exists as a future
presence (really a prescience), but not as a thing. The prestomorphic
is a way to spatialize the irrational. We can imagine a past, a
future past and a future, but not a present. The present, such as it
is, is comprised of moments yet to come or already gone, constituting
a never-now and never-here.

CTHEORY: The idea of the irrational is one we haven't really touched
directly, but is really important to your work. This is perhaps the
place where the question of interface returns as a framing of the
rational or irrational -- from a human perspective these questions
look quite different than from a technological perspective, even if
the actual images we see are identical. I find it fascinating how
your work extends this interpretive difference. You speak at some
length about how the aim is to provide not only an event, but a
context for the viewer and for the machine -- a situation of
unbalanced potentialities that, perhaps, is intended as allegory for
our own acts (or failures) of subjective processing.

EBP: The link with technologically induced states of mind is
increasingly common -- technology is a state of being in which we
partake. It's part of a flow that requires both subject and object in
a continuous looping, stretching, expanding, contracting. As we have
suggested before it's difficult to know exactly where one ends and
other begins -- or even if there are beginnings and endings rather
than just states in motions. When we talk about pareidolia as
something being revealed and at the same immediately lost, one can
see it as an index of uncertainty. This happens at the level of the
image. If we consider painters like Rembrandt -- creating images to
be seen at a distance, which upon closer examination transformed
themselves into material, or Monet's Rheims cathedral series -- when
approached dissolve into globs of paints. Can we say this about
earlier television when the objects of our own perception disappear
in a haze of projected light and pixels? Are not these images
material hallucinations?

It is interesting that you speak of the machine's subjectivity, but
difficult to begin to understand what you mean by the spectacle of
failure -- unless you are suggesting that the noise factor is a
subversion of the machine's function. There has been lots of creative
use of techno failure in the in the 90's -- glitch music for example
-- and more recently a whole host of experiments in authenticity
revolving around ideas of sonic hauntology.

CTHEORY: That's a really interesting comparison that hadn't occurred
to me -- but yes, isn't there something "glitch" to these works of
pattern recognition? Your works are different in that they include an
interrogation of agency and processing -- they are not reducible to
an aesthetic formalism -- but still there is something similar in the
project of rendering "something from nothing" so to speak. Perhaps
the big difference has to do with the connotations of electronic
voice phenomenon (EVP) -- your work raises the possibility that there
is actually something there -- that the machines "see" something in
the darkness that is not only noise, if only because the pattern
recognition software in fact recognizes a pattern. It's almost as if
this whole series of conversations could be summarized into a theory
of consciousness as EVP -- subjectivity as that which translates
noisy data into plausible patterns of recorded image and voice.

EBP: With the search for hallucinations in noise there are many
possibilities for interpretation -- and a subjective component is
always present. Another way of looking at noise is to see it as a
bodily characteristic -- as energy. Also another factor is to be
found in the way the brain operates -- formation and matching --
these are two fundamental actions, two flows that produce meaning,
but it's always a fluid process. What you have said about
potentiality and a new notion of phenomenology is really interesting
-- it seems that what you are talking about is the introduction of
time as a more vital component -- not time as space, but time as
duration -- so you can have probability as well as indeterminacy. But
there is a place for the senses, in terms of sensation -- the
thinking/feeling, or feeling/thinking.

Earlier we talked about "the machine being lost in a machinic reverie
abandoned by the very means of its reverie -- a kind of psychotic
break occasioned not by the interpretative capacities of the viewer,
but simply by her presence or absence... " The way into this is to
think of the machinic reverie as a series of flows between the viewer
and the machine, but the nature of these flows are marked by their
intensities. This ties into the notion of the flows receding. There
is a wonderful sentence in Bergson's _Time and Free Will_: "we shall
see that time, conceived under the form of an unbounded and
homogenous medium is nothing but the ghost of space haunting the
reflective consciousness... "[4] This seems to connect to the white
hole -- the notion of time as a fleeing ghost of space, and the use
of terms like prestomorphic are entirely bound up with spatial
formations. It seems like a version of Zeno's famous paradox where
you are always half-way there, as if to ask the question of what is
the dimension between 0 and 1.

CTHEORY: Well this is probably a very nice note to end on -- the
prestomorphic note of a conversation caught between its catalyst and
possible modes for continuation. A prestomorphic imagination,
perhaps, as that which best represents what might be called an
emergent theory of pareidolic subjectivity growing obliquely -- or
rendered as machinic instantiation -- under the sign of the
Einstein's Brain Project. Thank you both again for what I think has
been a provocative and engaging conversation.


Notes
----------------

[1] Alan Dunning and Paul Woodrow, "Body from the Machine: the
spectral flesh," _Proceeding of the Digital Arts and Culture
Conference_, 2009, University of California, Irvine, 2009. Available
online at:http://escholarship.org/uc/item/7hm6h6q2.pdf

[2] Ibid.

[3] Brian Massumi, "The Thinking-Feeling of What Happens,"
_Inflexions_ 1.1 "How is Research-Creation?" (May 2008)
www.inflexions.org

[4] Henri Bergson. _Time and Free Will_, New York: Dover
Publications, 2001, p.99.

----------------

THE EINSTEIN'S BRAIN PROJECT was formed by two artists, Alan Dunning
and Paul Woodrow in 1996, out of a common interest in an expanded
field of art practice that included science and technology. The
science was focused upon the brain and an investigation of
consciousness. Dr. Morley Hollenberg, a pharmacologist and inter
cellular communication expert, joined the collaboration perhaps a
year later, bringing a knowledge of scientific methodology, theory,
and research practices to the collaboration, that resulted in
refining the Project's ideas about the possibilities of art and
science as distinct yet symbiotic modes of inquiry.

The project's work is featured in several recent books,
_Transdisciplinary Digital Art: Sound, Vision and the New Screen_,
(Springer, 2008), _Art and Electronic Media_ (Phaidon, 2009), _Acting
Bodies: Embodying Computing Power. Bodies, Memory and Technology_,
(University Press of America, 2009), _New Realities: Being
Syncretic_, Consciousness Reframed (Springer Wien New York, 2009) and
_Art and Science_ (Thames and Hudson, 2010)

Additional information and samples of past projects can be found at:
http://www.bodydegreezero.org

----------------

Alan Dunning has been working with complex computer supported
installations for the past two decades. He has exhibited widely
including group and solo shows in North and South America, Europe and
the UK and is represented in many collections including the National
Gallery of Canada, Ottawa, and the Museum of Modern Art, New York. He
has received major research awards from the Canada Council, La
Fondation Daniel Langlois, the Social Sciences and Humanities
Research Council of Canada, the Association of Commonwealth
Universities, and the Marion Fund. Alan Dunning currently teaches in
the Media Arts and Digital Technologies at the Alberta College of Art
and Design in Calgary, and is an Adjunct Professor in Computing
Science at the University of Calgary.

Paul Woodrow has been involved in a variety of inter-disciplinary and
multi-media activities since the late 1960s, including performance
art, installation, improvised music, painting, and video. He was a
co-founder of W.O.R.K.S., the internationally recognized performance
group and has collaborated with many artists including Iain Baxter
(N.E. Thing Co.), Herve Fischer (The Sociological Art Group of
Paris), Genesis P. Orridge (Coum Transmissions, England), and Clive
Roberstson (W.O.R.K.S., Canada). His more recent work consists of
multi-media installations, using video projection and sound. He has
exhibited extensively since the early seventies, including at the 4th
St. Petersburg Biennale (Russia) where he exhibited a version of the
interactive VR work Einstein's Brain, the Museum of Modern Art in
Stockholm (Sweden) the Tate Gallery (London), as well as in Japan,
Belgium, Spain, France, Puerto Rico, Canada, the United States, and
South America. Professor Woodrow has received numerous awards from
the Canada Council for the Arts, The Social Sciences and Humanities
Council of Canada and the Alberta Foundation for the Arts and
currently teaches Art Theory and Studio at the University of Calgary.

Ted Hiebert is a Canadian visual artist and theorist. His artworks
have been shown across Canada in public galleries and artist-run
centres, and in group exhibitions internationally. His theoretical
writings have appeared in, among others, _The Psychoanalytic Review_,
_Technoetic Arts_, _Performance Research_ and _CTheory_, as well as
in catalogues and exhibition monographs. Hiebert is a member of the
Editorial Board of _CTheory_, and an Assistant Professor in the
Department of Interdisciplinary Arts & Sciences at the University of
Washington Bothell.http://www.tedhiebert.net

_____________________________________________________________________

*
* CTHEORY is an international peer-reviewed journal of theory,
*    technology and culture. Articles, interviews, and key book
*    reviews in contemporary discourse are published weekly as
*    well as theorisations of major "event-scenes" in the
*    mediascape.
*
* Editors: Arthur and Marilouise Kroker
*
* Editorial Board: Paul Virilio (Paris), Bruce Sterling (Turin),
*  Siegfried Zielinski (Academy of Media Arts, Cologne), Stelarc
*  (Nottingham Trent University), DJ Spooky [Paul D. Miller] (New
*  York City), Lynn Hershman Leeson (San Francisco Art Institute),
*  Stephen Pfohl (Boston College), Andrew Ross (New York University),
*  Timothy Murray (Cornell University), Eugene Thacker (The New
*  School), Steve Dixon (Brunel University), Anna Munster (University
*  of New South Wales), Warren Magnusson (University of Victoria),
*  Paul Hegarty (University College Cork), Joan Hawkins (Indiana
*  University), Frances Dyson (University of California Davis), Mary
*  Bryson (University of British Columbia), William Bogard (Whitman
*  College) Andrew Wernick (Trent University), Maurice Charland
*  (Concordia University).
*
* In Memoriam: Jean Baudrillard and Kathy Acker
*
* Editorial Assistant: Aya Walraven
* WWW Design & Technical Advisor: Spencer Saunders (CTHEORY.NET)
* WWW Engineer Emeritus: Carl Steadman

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* CTHEORY includes:
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* 1. Electronic reviews of key books in contemporary theory.
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*
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*
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* The Editors would like to thank the University of Victoria for
*  financial and intellectual support of CTheory. In particular, the
*  Editors would like to thank the Dean of Social Sciences, Dr. C.
*  Peter Keller, and the members of the Department of Political
*  Science.
*
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Posted by biginla at 2:36 PM GMT
Egypt protests: Demonstrators 'face prosecution'
Topic: egypt, nasra ismail, bbc news, M

 

by Nasra Ismail, BBC News Middle-East Desk, for the BBC's Biodun Iginla

The BBC's Jon Leyne: "Tear gas and water cannon were used against protesters"

Related stories

Egypt is to crack down on public protest and has vowed to arrest and prosecute anyone found taking to the streets against the government.

Public gatherings, protests and marches will no longer be tolerated, the interior ministry has said.

The warning came as a fourth person died after nationwide protests, which were broken up with tear gas overnight.

Medics said the injured person died in Suez, in the east of Egypt, where two protesters were killed on Tuesday.

A police officer was also killed amid the violence in Cairo.

Police used water cannon late on Tuesday as they forced protesters from Tahrir Square, a symbolic city centre location in the heart of Cairo.

Analysis

The statement from the interior ministry indicates that the Egyptian government wants to tough it out. Which comes as no surprise at all. Technically all demonstrations are already illegal without government permission, which the opposition is rarely granted.

But this does contrast with a statement from the foreign ministry, which claimed the country had an open environment of freedom of expression. There have been some calls for new demonstrations, but so far no substantial numbers have gathered and even the police presence is not overwhelming.

Protesters had been inspired by the recent uprising in Tunisia, vowing to stay until the government fell.

Small crowds had gathered in Tahrir Square on Wednesday morning, just hours after the last protesters were removed. But there were few signs of a heavy police presence.

Unauthorised demonstrations are illegal in Egypt, which has been ruled by President Hosni Mubarak since 1981. The government tolerates little dissent and opposition demonstrations are routinely outlawed.

In Washington, the White House urged the Egyptian government to allow protests to go ahead, describing the situation as "an important opportunity" for the nation.

France's foreign minister said she regretted the loss of life in Egypt but said democracy should be encouraged in all countries around the world.

Social protesting

Tuesday's event had been co-ordinated on a Facebook page, where the organisers said they were taking a stand against torture, poverty, corruption and unemployment.

Start Quote

We believe that the open exchange of information and views benefits societies and helps governments connect with their people”

Official posting by Twitter

They said that the rally would mark "the beginning of the end".

The BBC's Jon Leyne, in Cairo, said that it had been unclear how many people would respond to the online call, but in the end, the turnout was more than the organisers could have hoped.

Police were taken aback by the anger of the crowd and let protesters make their way to Tahrir Square near the parliament building, he says.

Microblogging site Twitter also played a key part, with supporters inside and outside Egypt using the search term #jan25 to post news of the day.

However, Twitter confirmed later on Tuesday that it had been blocked inside Egypt from 1600 GMT, meaning many were unable to post updates from the scene.

"We believe that the open exchange of information and views benefits societies and helps governments connect with their people," Twitter said on its official account.

There have been renewed calls for protest on Wednesday, but there is no indication yet whether they will attract large crowds.

'Mubarak the coward'

The crowd's anger was largely focused on the president on Tuesday, with thousands calling for his resignation and "Down with Mubarak" scrawled on the walls of buildings.

But at 0100 local time (2300 GMT Tuesday) police moved in, firing tear gas and driving protesters into nearby streets. There were reports that some people had been beaten by police.

Protesters in central Cairo (25 Jan 2010)There have been suggestions protesters will try to gather for a second day

"It got broken up ugly with everything, shooting, water cannon and [police] running with the sticks," one of the last protesters to leave, Gigi Ibrahim, told the Associated Press.

Protests were also held out in other areas of the country on Tuesday, including the eastern city of Ismailiya.

Thousands joined protests in the northern port city of Alexandria, some chanting: "Revolution, revolution, like a volcano, against Mubarak the coward."

In Washington, the White House said Egypt's government had "an important opportunity to be responsive to the aspirations of the Egyptian people".

In a statement, it said Egypt should "pursue political, economic and social reforms that can improve their lives and help Egypt prosper".

"The United States is committed to working with Egypt and the Egyptian people to advance these goals," it added.

'Rudderless' opposition

The Egyptian government said it had allowed Tuesday's protesters "to voice their demands and exercise their freedom of expression".

It blamed the violence on the banned Islamist movement the Muslim Brotherhood, although they were reported to have been ambivalent about the protests.

One opposition leader, Mohamed ElBaradei, had called on Egyptians to take part in the protests.

Tunisia's President Zine al-Abidine Ben Ali was ousted from power and fled the country earlier this month, after weeks of protests in which dozens of people were killed.

Egypt has many of the same social and political problems that brought about the unrest in Tunisia - rising food prices, high unemployment and anger at official corruption.

However, the population of Egypt has a much lower level of education than Tunisia. Illiteracy is high and internet penetration is low.

There are deep frustrations in Egyptian society, our Cairo correspondent says, adding that Egypt is widely seen to have lost power, status and prestige in the three decades of President Mubarak's rule.

Cairo map

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Posted by biginla at 12:57 PM GMT

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